## The Project Gutenberg eBook of Gloria and Treeless Street

This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: Gloria and Treeless Street

Author: Annie Hamilton Donnell

Release date: November 1, 2005 [eBook #9398]
Most recently updated: January 26, 2021

Language: English

Credits: Produced by Joel Erickson, David Widger and PG Distributed Proofreaders

*** START OF THE PROJECT GUTENBERG EBOOK GLORIA AND TREELESS STREET ***

# GLORIA
AND TREELESS STREET

## By Annie Hamilton Donnell

## 1910

## LIST OF ILLUSTRATIONS

"I don't know what I do see." "And who is Rosy?" It would be something interesting to do. "I'd wave you at it, Abou-Ben." Immediately Miss Winship was beside her "I will get the money for you, Dinney," "Oh, uncle Em, new everything."

## CHAPTER I.

Gloria sat in her favorite chair on the broad veranda. The shadow of the vines made a delicate tracery over her white dress. Gloria was lazily content. She had been comfortable and content for seventeen years.

“There's that queer little thing again, going off with her queer little bag!” Gloria's gaze dwelt on the house across the wide street. Down its steps a small, neat figure was tripping. Gloria recognized it as an old sight-acquaintance.

“I wish I could find out where she goes at just the same time every day! In all the blazing sun—ugh! I'll ask Aunt Em sometime. And that makes me think of what I want to ask Uncle Em!” It was natural that Aunt Em should remind one of Uncle Em. Gloria's thought of the two as the composite guardian of her important young peace and happiness—as well as money. For Gloria was rich.

“I suppose I might go down and ask him this morning. It's a bore, but perhaps it will pay. Abou Ben Adhem, I'll do it!”

Abou Ben Adhem, the great silver cat in her lap, blinked indifferently. He was Gloria's newest pet, so named with the superstitious fancy that it might have the effect of making “his tribe increase,” and Abou Ben Adhem's “tribe” was exceedingly valuable. Gloria set the big, warm weight gently down upon its embroidered cushion.

“Good-by, old dear. Be glad you aren't a human and don't have to go down town in a blazing sun!”

A few moments later the dainty girlish figure came out again, gloved and hatted. Aunt Em followed it to the door.

“Walk slowly, dear—just measure your steps! And be sure to take the car at the corner. Perhaps you can bring Uncle Walter back with you.”

It was only Gloria who called him Uncle Em. He was not really uncle anyway to Gloria, being merely her kind, good-natured, easily-coaxed guardian. But for ten years he and this sweet-faced elderly woman in the doorway had been father and mother to the orphaned girl.

“Of course he'll come, if I tell him to!” laughed back Gloria from the sidewalk. “Auntie, please ask Bergitta to come out and move Abou Ben's cushion into the shade when the sun gets round to him. He'd never condescend to move without the cushion.”

At the corner no car was in sight and Gloria proceeded at a leisurely pace to the settee that offered a comfortable waiting-place a block above. The small, neat person of the House Across the Street was there with her big, shabby bag. She moved over invitingly.

“But you'd better not sit down!” she said laughingly. “If you do, no car will ever come! I've been here a small age.”

The shabby bag between them attracted Gloria's curious gaze. It might contain so many different things—even a kit of unholy tools, jimmies and things! It looked decidedly like that kind of a bag.

“A fright, isn't it? If I ever got time, I could black it, or ink it, or something, but I never shall get the time. I don't wonder you look at it—everybody does.” “Oh!” Gloria hurried apologetically, “I didn't mean to be rude! I was just trying to make up my mind what was in it.”

“Well, did you?” The face of the small, neat person bubbled with soft laughter. Her hand went out and stroked the old bag's sides affectionately. “Give you three guesses!”

“I don't need but one!” laughed Gloria. A pleasant little intimacy seemed already established between the two of them.

“Well, guess one, then?”

“A—jimmy!”

“Gracious!” laughed the Small Person. “Do I look as bad as that? No,” growing suddenly quite grave, “you will have to guess again. I'll give you a cue—absorbent cotton.”

“Absorb—” began Gloria in surprise, but stopped. The bag was open under her eyes. She caught a confused glimpse of bottles and rolls of something carefully done up in white tissue, of a dark blue pasteboard box with a red cross on the visible end, of curiously-shaped scissors.

“See any jimmy?” queried the one beside her.

“No, but I don't know what I do see.”

“My dear—there's our car! Let me introduce you. The workbag, if you please, of the District Nurse, Mary Winship. I have not the pleasure—”

“Gloria Abercrombie,” bowed Gloria politely, but her eyes danced. She liked this small, neat Mary Winship. They got into the car together.

“I live right across the street,” Gloria added, when they were safely seated.

“So do I! I've seen you over there rocking a magnificent gray cat. Does it feel good?”

“The cat—Abou Ben Adhem? He's the warmest, softest thing!”

“No, sitting. I hardly ever do it, so I'm not a good judge. You always look so rested over there—it rests me to see you.”

The pleasant laugh jostled with the lurching of the car; it had the effect of being tremulous with some emotion, but there was nothing tremulous about the placid face beside Gloria.

“You poor dear!” Gloria burst out impetuously. “How tired to pieces you must get! I've pitied you every one of these hot days.”

“Don't!” smiled the other. “Pity my poor folks. Why, here's my street so soon!” She clambered down with her heavy bag and nodded back.

Gloria watched her trip away. The street she had stopped at was not a pleasant looking one; Gloria had time to see that it was lined with houses that leaned toward each other in an unattractive manner. And the children—the swift impression Gloria got was of a street lined, too, with little unattractive children.

“Not a tree on it,” she mused as the car jolted her on to Uncle Em's. “Think of no trees! And whole mobs of children, and such a day as this!” It was terribly hot. “I wonder what a District Nurse is? Well, I like 'em!”

Arrived at the great building among whose offices was that of Walter McAndrew, Attorney-at-Law, Gloria's thoughts were turned into a new channel. She remembered that she had come down town on important business, and it was up two flights in this office building where she was to transact it. Uncle Em was Walter McAndrew, Attorney-at-Law.

She took the elevator and was presently at the right door. She went in unceremoniously; it was one of her favorite visiting-places. Mr. McAndrew looked up and gravely bowed.

“Take a seat, madam, and I will be at liberty in a few moments,” he began politely. But “Madam's” small, white hand, placed over his lips, interrupted. “You are at liberty now—this minute, Uncle Em!” said Gloria.

The man at the desk shrugged his shoulders, then, helping her to a comfortable seat on the arm-chair, said:

“All right. What is it, Rosy Posie?”

“Uncle Em, am I rich?”

“Er—what's that? Oh, well,” judiciously, “you'll do.”

“Very rich? How rich, Uncle Em?”

The big swing-chair revolved with rapidity, to the peril of the young lady on its arm. The face of Walter McAndrew, Attorney-at-Law, expressed surprise.

“What's the drive?” he asked.

“That's what I want to know. How am I to drive? Uncle Em, see here. I want a runabout—wait, please wait! A nice, shiny runabout, that I can 'run' myself. I'll take you some of the time. Now, when can I have it?”

“You talk as if I had one concealed about me somewhere, and could produce it at a moment's notice.”

“All right, hand over my nice, shiny little auto!” laughed the young woman. “Honest, I'm in earnest, Uncle Em. I dreamed I had one last night, and I intended to ask you at breakfast, but I was sound asleep. Don't say anything for answer just now. Just think about it, then drop into the place where they keep 'em, on your way to supper, and order one! That's all—I'll let you off easy!”

Gloria got up and wandered about the little room. Its barrenness reminded her of Treeless Street, lined with little children, and her busy thoughts traveled back to that.

“What's a District Nurse, Uncle Em?” she asked suddenly; “with a rusty-black bag full of bottles and absorbent cotton? There's one across the street from us.”

“Bag or nurse?”

“Both. She's a dear, but what does she do?”

“Why,” explained Uncle Em, “she visits the poor and takes care of them if they are sick, you know. It's rather a new institution here in Tilford, but seems to be working finely. The city pays the nurse's salary, or else it's done by private subscriptions.”

“But I don't see how one nurse gets time to take care of a whole city—mercy!” Gloria's personal experience with nurses had been two to one girl. She remembered them now—the gentle day-nurse and the gentle night-nurse, who had moved soft-footedly about her bed, performing soothing little offices. Uncle Em smiled at her puzzled face.

“No wonder you don't 'see,'” he said, interpreting her thoughts. “But in this case the sick person gets but an hour's care, perhaps, a day. The nurse goes from house to house, doing what she can in a little time. She has to divide up her care, you see. But it is a merciful work—a merciful work.”

Gloria's face was thoughtful. Treeless Street haunted her.

“Do you know a street that hasn't a single tree on it, Uncle Em? The awfulest street! Just children and children and children and tenement houses. I suppose I've been by it hundreds of times, but I never saw it till to-day. It must have a name to it.”

“What do you want to know its name for, my dear? It isn't the kind of a street to run about on!” Uncle Em laughed. To Gloria the note of uneasiness in his voice was not noticeable.

She nodded a gay little good-by and was gone.

## CHAPTER II.

After leaving her uncle's office the fancy seized Gloria to walk home instead of taking a car. She would find Treeless Street and explore it—perhaps meet the neat little figure of the District Nurse somewhere in its dismal depths. She wanted to know more of this new manner of helping people an hour a day. It was characteristic of Gloria to indulge her fancies and to find out what she wished to know. She walked slowly away, searching every cross street for the special one she wanted. They were all dismal streets for a little way, but none of them were absolutely devoid of trees. Scanty grass-spots relieved their dreariness, and the swarms of children were comfortably enough dressed. It was some little time before Gloria reached Treeless Street, but when she did, she knew it at once. Without hesitation she turned into it.

Topply tenement after tenement—was there no end to them? Was there no end to the children with little old faces? Babies trundled other babies in rickety carts; the clamor of sharp little voices filled the street. Gloria, in a new world, threaded her way among the children and thought her new thoughts. They were confused, unwelcome thoughts, but she entertained them valiantly.

“Think of coming here every day, perhaps, and living right along!”

A small boy in grotesque man-trousers, reefed and rolled, intruded himself and his baby-charge in her way. Gloria gazed down into the boy's face with a sort of fascination. He was so small, yet had such a protecting way with the baby.

“What is your name, little man?” she asked. “Dinney. What's the name o' youse?”

Gloria ignored the question.

“Is this your little brother?” gently.

“Well, I guess!” said the boy.

“Can he walk?” more gently still.

“Yep, o' course—I mean when his legs gets stronger he'll walk, won't youse, Hunkie? De doctor-woman says as wot he needs is plenty o' milk. Wid its coat on—Hunkie ain't never had none wid its coat on till de doctor-woman come.”

“Its coat on?” murmured Gloria. Then by an inspiration she knew that the boy meant cream—milk with the cream on. A sob rose unannounced in Gloria's throat as she looked again at the mite in the cart who would walk when his legs were stronger.

“Who is the doctor-woman?” she asked; but as she asked the question she knew the answer and said, “Is she the District Nurse?”

“Yes, she is. She's good to my mother, and Hunkie's the baby. Rosy does nice things, too. She showed Rosy how to be nice. Me mother's got de consumption.” The boy spoke as though discreetly proud of the fact.

“And who is Rosy?” Gloria asked.

“Sure—de girl wot lives 'cross de hall. She's got eyes like your eyes, she has.”

Across the hall on Treeless Street. A girl with eyes like hers! It was like finding herself there. Gloria shivered. She had a sudden inward vision of herself living in Treeless Street.

A little crowd of interested children had gathered. One, bolder than the rest, had drawn unpleasantly close, and was smoothing Gloria's soft white dress with timid little fingers. Gloria wondered why she did not draw away, but stood still instead.

“Are youse a doctor-woman? W'ere's yer bag? Yer ain't t'rew yer bag away?”

“Huh! She ain't no doctor-woman.” This from Dinney, who had the advantage of early acquaintance. “She's on'y a cuttin' roun' de street. Youse better not be smudgin' up her dress, Carrots—gwan off, now! All o' youse gwan an' let de lady 'lone. Me 'n' Hunkie's de on'y ones as she wants roun'.”

Dinney and Hunkie escorted Gloria to the end of the street and back. Gloria returned on the opposite side with the idea of more thoroughly exploring. But she might as well have kept to the one side; both sides were alike in tenements and children—dreariness and poverty. There was no choice. It was with a long breath of relief that Gloria emerged again upon the main street. She filled her lungs with the cleaner air, and gazed with a new admiration at the well-to-do buildings.

The grotesque little figure of Dinney tramping back into Treeless Street with his rattling cart lurching behind him, was all that remained of what seemed to Gloria now must have been a dream. She glanced up at the street's name, at its juncture with the main street, and started suddenly, in very astonishment. The name she read pointed playful, jeering letters at her. She had always known there was a street in Tilford by that name—but not this, this street! Pleasant Street! Gloria walked the rest of the way as in a dream.

* * * * *

“Uncle Em, aren't tenements unsafe to live in,” Gloria asked at supper, “when they lean every which way? Oughtn't there to be a law to tear them down?” Gloria was too intent on her own musings to intercept the swift glance her guardian gave her.

“Supposing one tumbled down, with little children in it and outside it! What did they name that awful street Pleasant Street for?”

Aunt Em's comely face wore a queer expression. She began to speak, then stopped.

“Don't you want to hear what kind of a runabout I ordered on the way home, Rosy-Posie?” What freak of fate made Uncle Em call her Rosy-Posie? Gloria winced as if with pain at thought of the girl Rosie—with eyes like hers—on Treeless Street.

“There's a girl named Rosie with eyes like mine, on Pleasant Street!” she cried. “A boy told me so. I hate that street!” She got up suddenly and went away.

The two left behind exchanged glances. Aunt Em's eyes were troubled.

“Walter, whatever started the child up to go round exploring streets?” she said.

“Goodness knows! But don't get worked up over nothing.”

“Poor child—you know I've always felt just the way she does, Walter.” Aunt Em's gentle sigh came once more.

The next morning Aunt Em appeared in Gloria's room before that leisurely young person had decided to get up. She was lying in one of the pleasant intervals between dozes, drowsily conscious that the sunshine was streaming across her feet in a warm flood, and that somewhere children were playing.

'“Lazy girl!” cried Aunt Em in the door. The lazy girl turned without surprise. She was used to early visits. “Perhaps you might like to know the time of day—”

“Oh, say it's 'most bedtime, auntie, then I won't have to get up at all!”

“Nine o'clock!”

Gloria laughed. “Call that late! Why, it might be ten, eleven, twelve! Besides, I had to make up for my nightmares—auntie, I spent nearly all night walking up Treeless Street. I couldn't get out; I thought I'd got to stay there always. The little ragamuffins wouldn't any of them tell me the way out, not even Dinney. I wouldn't have believed it of Dinney!” Aunt Em's face smiled down at the girl among the tumbled pillows. “Poor dear! You have so many troubles!” Aunt Em sympathized in gentle irony.

Gloria sat up straight. “You're making fun! Well, I don't suppose I can complain. It isn't to be wondered at that you can't believe I'd be troubled at other folks' troubles. Honest, auntie, I never was till yesterday on that street!”

“Aren't you ever going to talk about anything else, Rosy-Posie?”

“Don't say 'Rosy,' or you'll set me off again! I won't mention it again to-day if you'll promise to go down there with me some day, Aunt Em. If you won't, I shall go with the District Nurse. I'm going into one of those houses and see if it feels as bad as it looks.”

“You can't go very soon, my dear, for we are going out West with Uncle Walter to-night.”

“Auntie!—honest?” Gloria was on her feet in a sudden access of energy. Drowsiness and laziness were past things. The trips that she and Aunt Em took occasionally with her guardian were her delight; it was always an occasion of gratitude when a “case” called him away during the long summer vacation.

“We decided last night, dear. You know how Uncle Walter loves to take us along.”

“Will it be a nice long case? Say yes!”

“Yes,” smiled the elder woman, “three or four weeks, probably, and maybe longer. You never can tell how long lawyers will be, threshing out justice.”

“Where? Where? Oh, I call this fine!” Gloria was pulling out the contents of a bureau drawer. “Where are we going, auntie?”

“To Cheyenne. Gloria, what in the world are you up to?”

“Packing. Cheyenne! I'll dress in a jiffy, auntie, and when I've got my trunk packed I'll pack you.”

## CHAPTER III.

Walter McAndrew, Attorney-at-Law, was in rather frequent demand in distant places, when the services of an especially acute lawyer were in demand. When these “cases,” as Gloria termed them, called him to locations worth visiting, Mr. McAndrews delighted in taking his wife and ward with him. The evening preceding the packing-scene in Gloria's bedroom, he and his good wife had come to the rapid decision that a trip to the West just now would be good for Gloria—more likely than anything else to eradicate impressions of unpleasant Pleasant Street. Gloria's impressions were apt to come and go easily, they reasoned, and it was important for this one to go.

“You were going away, anyway, and I suppose I can go too, even if it is hot,” his wife had sighed in gentle renunciation of her own comfort. As for Gloria—the child was always delighted with variety and change. No trouble about Gloria!

Ten years earlier, when, close upon the death of his beloved young wife, Gloria's father had slipped out of life, the orphan of seven years had been given into Mr. McAndrews' charge, to be loved and petted, while Mr. McAndrews was given her generous little fortune to husband and watch over. It had been a beautiful home for Gloria; unquestioningly she had accepted all its comforts and love. Yet Gloria was not selfish—only young. Gloria's father had been a keen business man, and the investments of his money as he earned it had been of the kind that fatten men's pocketbooks, however lean they may make the bodies of other men.

For the time, Treeless Street, lined with little children, vanished from Gloria's mind. The journey she began so promptly was a new one to her, and with the first appearance of daylight the first morning she was ready to enjoy it. Unlike Aunt Em, she was fresh and vigorous after the night in the sleeper; she did not even dream of her recent discoveries in streets. No old-faced little boys in reefed man-trousers appealed to her sleeping pity.

“Best thing we could have done,” whispered Uncle Em to his wife, watching the girl's animated face. “But I'm afraid it's going to be tough on you, my dear.”

“Never mind me,” smiled back his wife cheerfully. She was at that moment warm and wearied, with a dull headache with which to begin the day. But Aunt Em was the sort of woman who courts discomforts which to her loved ones masquerade in the guise of comforts. She had never been given a daughter of her own to make sacrifices for; she must make the most of Gloria.

“I wish you liked to travel as well as Gloria and I do, my dear.” His wife did not like to travel at all; it was a species of torture to her.

“I like to have you and Gloria like it,” she smiled.

A few days after the newness of Cheyenne had worn off a little, Gloria sat in the window of her hotel room writing a letter. It had come to her suddenly that she would write to the District Nurse. It would at any rate be something interesting to do, and if the letter elicited an answer, how very interesting that would be! What kind of letters did District Nurses write?

Gloria had gone back, in convenient interstices of her new life in this strange city, to mild musings on streets where poverty dwelt undisguised. At this distance, Dinney and little Hunkie were faint wraiths rather than realities.

Gloria's musings now were tinted with a comfortable impersonality that robbed them of the power to sting. It was more as if she had recently read a story full of pathos, whose chief characters were named Hunkie and Dinney, and whose background was a dreary street. She would tell the story to the District Nurse and perhaps evoke a sequel to it from her.

“Dear Miss Winship: My uncle and aunt spirited me away the next day, and here I am in this 'Undiscovered Country'! Do you mind if I write you? You will be too busy to answer. Maybe you won't even have time to read it! I found out about one of your sick persons that same day—Dinney's mother. He seemed almost proud that she had consumption, the poor little boy! He had the baby with him. I never saw such a perfectly dreadful street. The idea of calling it Pleasant Street! Somebody ought to climb up and print an 'Un' before it, and even that wouldn't be bad enough!

“I wish I knew who Rose is. All I do know is that you taught her to be good to Hunkie—Dinney said so. He said that Rosy lived across the hall, and that she had eyes like mine!

“Uncle Em has a protracted case here, so we may be here quite a while longer, but when I get home will you let me go district-visiting sometime with you? And introduce me to the girl with eyes like mine, and whose name is Rose—my middle name. It makes me feel queer every time I think of her—I don't know exactly how to describe it, but it seems a little as if there were two Rose Abercrombies. Suppose I lived down on that Un-Pleasant street—across the hall!

“Lovingly yours,

“GLORIA ROSE ABERCROMBIE.”

To Gloria's surprise, she received an answer to her letter, with a considerable degree of promptness, but it was not postmarked Tilford.

“My dear Miss Gloria Rose: Perhaps you didn't know District Nurses could be prompt in answering letters! But, you see, I am having my two weeks' vacation up here in this little hilly place. I get two weeks off every summer—and actually sit down! I'm doing it now—if my writing joggles now and then it is because I am rocking. I want to make the most of my opportunities. This is the quietest place to sit and rock I was ever in.

“Your letter was such a delightful surprise. Of course, I'll take you with me. I'll do more than introduce you to my assistant Rose. No, I'll not describe her to you. I will wait and let you see her for yourself. Well, Dinney's mother is very sick. I could not bear to leave her. What do you think she said to me the last thing? 'I'll wait'—just those two words—when waiting will be so cruelly hard. I would not have come now, but the doctor put his foot down. I suppose I was worn out.

“My dear, if I loved anyone very much I should say to her: 'Never be a District Nurse!' It's so terribly hard on the heart-strings.

“There is another Dinney on Pleasant Street, but his name is Straps. I don't know why, unless because of his one suspender, and then it ought to be Strap. He looks like Dinney, but his 'baby' he leads by the elbow instead of drags in a cart. The baby of Straps is very old and blind, the shoestrings he sells on the corner are very poor ones, but when you need shoestrings I wish you would buy those. Din—I mean Straps—leads him back and forth and loves him. There doesn't seem any reason in all the world why he should—or could—but he does.

“There, I must stop.

“Lovingly,

“MARY S. WINSHIP,

“District Nurse.”

The letter of the District Nurse reawakened all Gloria's interest in the street she had “discovered.” She thought about it a great deal while she and Aunt Em were driven about sightseeing. Her preoccupation was a source of gentle worriment to Aunt Em, and would have been even more so had that dear person suspected Gloria's designs against Un-Pleasant Street. These designs were unbosomed in a second letter to the District Nurse.

## CHAPTER IV.

Gloria's second letter to the District Nurse ran thus:

“Dear Miss Winship: I keep thinking of those dreadful houses. Every time I look in a daily paper I expect to read that one of them has tumbled down, and I'm afraid it will be Dinney's house, where that poor, sick woman is—or Straps' house! They ought to tumble down, every one of them, but not till they are emptied of their poor loads of humanity. If they are half as bad inside as they are outside! I keep and keep thinking of them. Think of a girl named Rose being in a house like that, and another girl with Rose for her middle name in a beautiful, great hotel here, or Uncle Em's lovely house at home—both of them Roses. It isn't fair!

“Do you know, I have a plan, but I'm 'most afraid to divulge it—I wouldn't to Uncle Em for the world, yet! He'd laugh the roof off. He says women have no heads for business, and as for girls!—But if not heads, I suppose they might have hearts, and the hearts might ache, the way mine does every time I think of those houses and Straps and Dinney and Hunkie—and the girl with eyes like mine. Yes, I'll tell you. I mean to tear down some of those houses—Dinney's, at any rate. Now, go outdoors and laugh!

“I don't suppose you know it, but Uncle Em's keeping a lot of money for me when I get of age. I'm seventeen now. I never asked how much money I'll have, but it's a lot, I'm sure of that. What I've been planning out in my mind is to use some of that money in building decent houses for Dinney and Straps, and some of the rest you are working for. I can have the old ones torn down. I asked uncle for a runabout, but I'll give that up. I wish I dared ask him how much it costs to tear a house down—I wonder if you couldn't find out for me?

“Aunt Em and I picked out the kind of automobile for me in an advertisement—a little beauty. Last night I dreamed I had it, and the first ride I took it turned into That Street—I couldn't help it; it would go. It—it ran over little Hunkie. Aunt Em heard me scream, and went in and waked me up.

“I'll give up having an automobile.

“Please try to find out who owns Dinney's house—that is the worst block of all, isn't it? Whoever does own that place couldn't ask very much for it. It's such a rickety thing. You see, I've set my heart on having one nice straight human house, anyway, on that street.

“With love,

“GLORIA ROSE.”

The answer to this second letter was not as long as the first letter from the District Nurse. It bore evidence of hurry.

“Dear Gloria: I am getting ready to go back this afternoon—no, my vacation isn't done, but Dinney's poor mother is. She can't wait any longer. I shall be there to-night.

“About the houses—my dear, oh, my dear! It will surprise you to know that those houses are very valuable. It would cost a good deal to buy even one of them, I am afraid. Let me tell you—I'll count up as nearly as I can remember how many rents there are just in Dinney's house; that is five stories high—the basement is the first one.

“Fourteen rents. Some of the rents are just one room or two rooms, you see. Fourteen families pay for living in that house. The entire rental of that one house helps fill somebody's pocketbook 'plum' full.' It was a lovely plan—I cried instead of laughing over it—and when I see you I am going to hug you for it! But, dear, I'll see if I can find out who Somebody is, if you still want to know. It will be a simple matter, I should say. I have never asked who owned any of the 'Pleasant Street' property—I did not seem to want to know. But I'll find out if you really wish me to.

“With love,

“MARY WINSHIP.”

The District Nurse found Dinney's mother was “waiting” when she at last reached her. But her release came soon. With a smile she left them, and Dinney, seeing it, surprised the Nurse by a look of gladness. Then he took Hunkie into his arms and turned away with him as the door opened and a young girl entered. It was Rose. It seemed somehow to Dinney as though a sweet peace filled the room now that his mother's hard-drawn breath was no longer there. He looked through the window and hugged Hunkie close. He was his baby sure, now. In a way that he could not understand, it seemed as though something good had come to his mother. Loving her as he did, he was glad, and realized not his bereavement.

The District Nurse, a day or two later, found time to attend to Gloria's commission. It was at first a little difficult, because she did not apply to the right party, but she persevered, as she wished to tell Gloria in the letter she meant to write that night. She was told of someone who might know, and to that person she repaired at her first leisure. There she was at last successful.

But she did not write to Gloria that night. Her pen would have refused to trace the name she had found—no, no, no, in very mercy it could not! Poor Gloria—dear child! For already the District Nurse loved Gloria. No, she could not tell her who it was owned Dinney's home. Mr. McAndrew's law case concluded, that gentleman was minded to treat himself to a little recreation. It was not fair, he said, for the women folks to have all the fun—they were to turn to now and see that he had his share. With Gloria's willing aid, he made out a modest little itinerary that would give them a sight of several places of interest.

“The more the better!” Gloria said. “We're good for any number of 'em, aren't we, auntie?”

And dear, patient Aunt Em smiled splendidly, and saw the longed-for arrival home pushed farther away. Gloria was innocently selfish; she could not have comprehended easily how anyone could help enjoying this pleasant dallying from place to place.

The trip finally ended several weeks later than was originally planned. The District Nurse's vacation was dimmed by the many days of hard work that had succeeded it; by this time it was more a beautiful memory than a reality. She must have dreamed of sitting lazily rocking, shut in by a circle of blue hills! So many things can happen to a person in a matter even of days—when the person is a busy District Nurse, with a city to take care of.

Gloria, back in her favorite piazza-chair, surveyed the world with rested vision. Very soon she would take up her adopted worries about barren streets and rickety houses, but for the moment she would rock and smooth Abou Ben Adhem's beautiful back.

“You've been lonesome, Old Handsome—needn't tell me! I don't believe you purred a note while I was gone. And I never missed you, sir!” She pulled the low, far-set ears gently. “There was a lovely cat at the hotel,” she added with deliberate malice. “He purred grand operas.” But in her lap the great cat sat unjealously. Gloria's gaze wandered across the street. She wished she knew which was the District Nurse's window. “I'd wave you at it, Abou Ben, just to show her I've got home —but there, she may be district-visiting, and you'd be wasted. We'll watch for her.”

At that very moment the District Nurse was in Rose's room helping to cut out a tiny calico dress. Rose herself was running little sleeves together in a motherly way.

“Tell me some more,” she pleaded. “Is she pretty? Does she do up her hair? What kind of eyes has she?”

“One at a time! You take my breath away,” laughed Miss Winship over her calico breadths. “Yes, she is pretty—I think you will say so. Her hair? I'm sure I don't know what kind of hair she has. Now you may begin again, my dear.”

But Rose's eyes were wistfully musing. They were beautiful eyes, but the rest of Rose, oh, how pinched and meager!

“I kind of thought,” Rose said, “I didn't know but—there now, the idea! Of course I don't want her to be like me!” Rose's voice quivered. “I'd be ashamed of myself to want her to be like me. I was only thinking, that's all. It isn't bad to think, is it? And anyway, we're both Rosies, you say. But they call her Gloria. But she has Rose for one name. I've got that to be glad of!”

Snip—snip—the scissors cut steadily through the crisp cotton goods. “Yes, indeed, you've got that!” the District Nurse said with loving tenderness. She did not look up from her work; at that minute she did not want to see the small, stunted figure sewing tiny sleeves for Dinney's baby.

## CHAPTER V.

It was a beautiful morning, and Gloria and the cat were occupying the broad piazza. At last Abou Ben Adhem slid with a soft thud to the piazza floor. It was his signal that no more petting was desired for the time. Gloria, too, got out of the big rocker and went into the house.

“Aunt Em, would you want to be a District Nurse and never get home? I've watched till I'm 'blind of seeing.'”

“It can't be a very desirable position, dear—you won't ever be one, will you?”

“I'm going to 'be one' to-morrow!” Gloria laughed. “Have to get used to it, auntie. You can't change my mind—it's set. The next to-morrow that ever is, I am going to begin!”

“Dear! dear!” sighed Aunt Em. She felt anxious again. Here was the child back just where she had left off. What good, then, all the traveling about and the getting tired and hot? A wave of fresh weariness and travelstrain seemed to sweep over the dear little woman. Close upon it like a cool breeze came the recollection that in October Gloria would go back to school. Then, at any rate, this undue, unwelcome fascination for grimy streets would terminate. It was mid-August now.

The next morning Mrs. McAndrew opened the door to Gloria's room. The girl lay smiling among the pillows.

“If you are to be a District Nurse, dear, it might be well for you to get up to breakfast.”

“Well, I'm prepared to go to even that length! You'll hear a bird, auntie, and simultaneously you'll hear me getting up!”

Gloria was as good as her word. Mrs. McAndrew met her with a smile. Gloria's face was good to see; it was grave with purpose, but the light of youth and happiness softly irradiated the gravity. But the studied simplicity of the girl's costume that morning rather surprised Mrs. McAndrew as her eyes fell upon it.

Gloria laughed. “Aunt Em, you're unprepared for the grown-up appearance of the new District Nurse,” she said. The neat coils of brown hair were quite disquieting to Aunt Em. She was not ready for Gloria to be a woman; her gentle heart misgave her.

“Dear child, let your hair down again—let it down!” she pleaded.

“Auntie! As if—after I've been to all this work and used twenty-three hairpins! I thought you'd approve of me. I think I look just like a nurse now. Did you suppose I could be one with my hair the old way? Dear me! I must dress the part, auntie. The play begins as soon as I've eaten an egg and two rolls—now why do you suppose nurses always eat an egg and two rolls for breakfast? But I'm sure they do.”

Gloria was in fine spirits. The “play” on the eve of beginning was sure to be an entertaining one, and for novelty could anything be better? She meant to go all the rounds with brisk little Miss Winship. She was prepared to sweep floors and wash faces if it should prove to be in her part of the play. “I may have to be prompted,” she thought, “but you won't catch me having stage-fright!”

She had sent a note across the street by a maid to prepare the District Nurse, and that cheerful little person was waiting for her as she tripped down the McAndrews' doorsteps after her hurried meal.

“Am I late? Did I keep you waiting?” she cried.

“Not more than a piece of a minute. I've been trying to scrape acquaintance with your beautiful cat, but he is above District Nurses.”

“If I had time I'd give him a good scolding. He's got to get used to nurses if I'm one! Do you hear that, you Old Handsome? Good-by, and be a good boy while I'm gone!” And Gloria waved her hand affectionately to the big silver fellow on his silken cushion. She and the District Nurse walked away together.

“I feel as if I were setting sail for a foreign land,” laughed the girl, daintily tripping along.

“My dear, you are.” The voice of Gloria's companion was suddenly grave. “I don't know as I'm doing right to let you embark—I ought to send you back to your beautiful home.”

“Send me back! No, I'm set on 'sailing.'” In sheer exuberance of spirits Gloria's laugh bubbled out again, then as quickly stopped. “Oh, you will think me such a silly! I ought not to laugh, ought I?”

“Yes, keep on all the way, dear; you won't feel like it, I'm afraid, coming back. The first time I 'came back' do you want to know what I did?”

“Cried,” Gloria said softly. A new mood was upon her now, and a gentle solemnity gave her piquant face a new attraction. Gloria's moods were wont to follow each other with surprising swiftness.

“Yes, I did. I saw so much that I could not help, that it made my heart ache. Children that needed attention and love and care, and mothers with tired hands, and wives whose faces wore a hopeless look. Yes, I cried.”

After this the two walked on in silence. But Gloria's eyes were bright and her breath was coming in quick, strong waves through her red lips. The picture her companion had given set her tingling, and then came the thought she had up in the mountains—Couldn't she help?

Seeming to think she had said too much, the District Nurse began chatting in a cheery way, as though to turn her companion's thoughts into a different channel. In this mood, the one chatting lightly, the other listening, they drew near to “Dinney's House.” But no sooner had they entered the neighborhood than they noticed that something exciting was going on, and shrill voices came to them.

“Something has happened!” cried Miss Winship, hurrying her footsteps. “I'm afraid someone is hurt.”

But then, the District Nurse was “always afraid” in that locality. There were so many pitfalls where accidents could happen. As they drew near a boy ran from the crowd toward them. It was Dinney.

“What is it, Dinney? Quick!” asked the nurse.

“Sal went over the stairs—the railing broke. She hain't got up either!” the boy answered, breathlessly.

As the two drew nearer the crowd a chorus of voices greeted them.

“Miss District! Here's Miss District!”

The throng made way for the nurse. Down in the heap of fallen stair railing lay poor Sal. Immediately Miss Winship was beside her.

Gloria never quite knew what happened the next half hour. It was mercifully always a bad dream to her. At its end something like order and quiet reigned in the old house, thanks to the quiet self-command of the District Nurse. Sal had been removed in the ambulance to the hospital, the little crowd of women sent back to their work, and the curious children scattered to their homes. Not until then did the District Nurse have time to look at Gloria.

“Why, you poor dear! You're white as a sheet! I ought to have thought how it would make you feel! Come with me up to Rose's room. That's the quietest place around here. It's a little haven to us all. She's got Dinney's baby with her now. Since the mother died she's about adopted it. But Dinney pays for it. Dinney's a brave one!”

They now passed up the stairway, and as they came to the gap in the railing that had been the ruin of poor Sal, the nurse paused with a look of anxiety sweeping over her face.

“It mustn't be left in that way,” she said in dismay. Then she called, “Dinney! Is Dinney down there?” as she looked down the stairway. “Someone tell Dinney to bring me a rope—clothesline will do.”

The rope was brought, and Gloria, standing by in wonder, watched the deft fingers weave it back and forth across the danger gap. This was an unexpected type of a nurse's duties.

“There, that will do as a makeshift. Anyway, nobody but the thinnest of them can leak through, and Sal isn't here to lean on it; poor Sal!”

Rose was not in the bare, half-lighted little room they entered. The tidiness and cleanliness of it, however, bore witness to her recent occupancy. On the neat bed lay a baby asleep.

“Hunkie!” Gloria said softly, as she tiptoed across the room and looked down at the thin little face.

“It seems a tiny morsel of humanity to get hold of life, doesn't it?” said the nurse. “But Rose is so careful of it, and Dinney is so insistent that it shall have everything it needs.”

Then she turned to Gloria. “Now sit down and make yourself comfortable, and wait for me. You are not fit to go around with me now. Rose will be here in a little while, doubtless.”

Gloria dropped into a chair. Left to herself, she looked around the plain little room. Her eyes took in the pitiful details—the uneven boards of the floor, the sagging ceiling, the cracked window panes. How sharply the room contrasted with her own, and yet this was the room of Rose—with eyes like hers. A girl who had thoughts and dreams and aspirations the same as she had. As these thoughts went through Gloria's mind she leaned back. The strain of excitement had told on her. Exhaustion took possession of her. She did not intend to sleep, but her eyes closed against her will. How long she sat thus she did not know, but in time there came to her a consciousness of whispering in the room and a baby's laugh. Opening her eyes she saw a pretty picture—a young girl tossing a baby into the air and catching it again, and the baby cooing.

Instantly the girl with the baby caught sight of Gloria as she stirred.

“And so you are awake. You looked so tired,” said the girl.

Gloria straightened and arranged her hair. The many hairpins felt uncomfortable.

The girl with the baby looked at her curiously.

“Why,” she said, “I thought you wore your hair different.” And then she flushed. Her own hair was in a braid, and she flushed still more when, glancing into a little mirror, she looked from her face to Gloria's. She had put her own hair down into a braid to be like the girl Dinney had told of. But how different they were! Instantly she realized that hers was a face without round, girlish curves. But she did not speak of this. She turned to Gloria and said in her quiet way:

“You shouldn't take it so hard—Sal's falling. We get used to such things here.” And she smoothed out Hunkie's dress as she sat down on the window-sill, there being but one chair in the room. “And then when you come right down to it,” she said, “Sal will have the time of her life. I just came from the hospital. She's bad broke, but they can mend her, they said. And if she can stand the mending, what a time it will be for her!”

Gloria's eyes opened wide with astonishment. Rose smiled. It was a smile that almost made her face look girlish. “It does seem awful to talk that way, but it's the truth. Just think of it!—Sal never had anything nice to eat! I saw them bringing a tray to one near Sal, and it held things Sal never tasted in her life. And she has such a nice room and bed.”

“Tell me about Sal, please,” said Gloria. “Her mother seemed to feel so terribly.”

Rose's face hardened. “Well, she's probably forgotten her grief by now; that is, if she's got hold of anything to drink. That's the way she'll celebrate it. She beat poor Sal regular. You know—” Rose's voice dropped a little, as though she hated to say what she was going to say, “Sal isn't just the same as the rest of us. She's always had to lean on things, and sometimes they break with her.”

Gloria shuddered.

“Sal's had lots of breaks; but then everything in this house is sort of uncertain. The ceiling, for instance. The ceiling in Dinney's room came down once before his mother died, and it just missed her. It would have killed her then if it had hit her. It nearly killed Dinney, but he's tough.”

“They will mend the stair railing!” Gloria cried.

Rose's face hardened, and she looked down and pressed her lips against the baby's forehead. It was as though the girl, Gloria, beside her was reaching too far. Lifting her head, she said in a cold voice:

“They don't mend things around here. But maybe they will the railing. It costs money to mend, and they say things don't stay mended. Maybe they don't.”

Gloria sat looking straight in front of her. What a world it was, compared with her own world! At last she said in a low tone:

“Did they mend the ceiling?”

“No,” answered Rose. “But then, it don't matter. She died soon after, you know. The hole is there yet.” Gloria rose; she was growing anxious for a change. Something seemed somehow choking her.

Out in the hall an angry voice was suddenly heard. It was a woman's voice pitched high.

“I tell yez, I'll have the law on thim! It's toime somebody was afther doin' on't, an' it's up to me, with me poor Sal lyin' in the hospital! The one that owns this house is a murdherer! I'll tell yez, it's the truth!”

Gloria was standing with eyes wide opened and face flushed. She drew a quick breath of relief as she heard the voice of the District Nurse.

“Oh, hush! Do hush!” the District Nurse pleaded, and there seemed an agony of fear mingled with the words.

Then came in still angrier tones:

“Hush, is it! Oh, yes, it's hush wid you as wid them all! I tell yez I'll have the law! I'll foind the murdherin' crachure before I'm a day older! You needn't be hushin' av me up! I'm goin' now; it's toime somebody wint!”

Gloria heard the shuffling of the angry woman's feet, but the nurse evidently followed her, as she did not enter the room.

## CHAPTER VI.

It was on the day of Gloria's visit with the District Nurse that Mr. McAndrew came home to luncheon, which was rather an unusual proceeding for the busy attorney during hot weather. Mrs. McAndrew, seated with her mending on the shady piazza, could see a worried expression upon her husband's face even before he reached the steps.

“Something is the matter,” she said, rising hastily, while spools and scissors fell upon the cat dozing near. “Something is the matter or he would never have come home in this boiling sun.”

“What is it, dear?” she asked, as the middle-aged, slightly bent figure toiled up the steps exhaustedly.

“Where is Gloria?” was Mr. McAndrew's reply, as he dropped with a sigh of relief into one of the piazza chairs.

“Gone with Miss—I can't think of her name—the District Nurse. She would go—you mustn't blame me. Ask Abou Ben if she wasn't the settest little thing!”

“I was afraid so—felt it in my bones. Now, why,” groaned the lawyer, “must she have selected today? And here I've come up home at the risk of my life all to no end! I wanted to make sure she wasn't poking round in that miserable street today, of all days—and you have to tell me she is!”

“You mustn't blame me,” his wife repeated mildly. “You know yourself when Glory's set—”

“Yes, but you ought to have been set, too! Why didn't you put your foot down that she shouldn't go off to such a foolish place? No knowing what mischief it has done!” worried a look as did her husband's. Then she added, “If we had explained the whole thing to her at the start, it would not have been so difficult. But how is anyone to tell her now? She is so intense, and she's hardly more than a child to reason with. And in the meantime she's gotten so many ideas into her head that she wouldn't have had, maybe, if she had known the situation from the first, and grown up with it.”

“I acted for the best,” her husband grumbled. “Such things are coming up in life all the time. But when women are mixed up in 'em, there's no making them see straight. It wasn't fitting that Gloria should have everything explained to her at the start. It wasn't businesslike. When she comes into full control of things herself, it will be different. I am afraid Richards is not quite the man to have charge of things down there. I have given him his own way too much. But one has to with Richards. He's a good collector.”

“But the stair-rail, dear,” interposed his wife. “Stair-railings should be secure, above all things.”

“Yes, Richards ought to have seen that everything was safe. I cannot understand a glaring negligence like that. He's always given me the impression that things were kept very fairly shipshape.” Having said this, Mr. McAndrew rose and began pacing the veranda.

“Richards said it was a poor, half-witted creature,” he murmured, as though thinking aloud.

“But, dear,” interposed his wife, “half-witted creatures can be killed!”

Aunt Em's thoughts seemed to be keeping pace with those of the man marching up and down the piazza floor.

“Oh, she won't die. That sort o' folks don't,” her husband answered.

And at that moment Gloria was standing in Rose's room in No. 80, listening to the dying away of the footsteps of the angry mother of Sal, the woman vowing vengeance on the one who could leave a house to tumble down over people's heads. And in with the angry tones were the protesting ones of the District Nurse.

A few moments later Rose's door opened, and the District Nurse, flushed and worried, entered.

“Sal's mother has been drinking, and she's wild over the accident,” she said in tones as steady as she could make them. But Gloria saw that she was strangely wrought up.

“Drink or no drink,” said Gloria, with a bridling of her head. “I should think a mother had cause to be worked up over an accident like that.” A look of hauteur was on the young girl's face. “That such things can be, and no note taken of them, is a disgrace to the century.”

The nurse's face paled, as she looked into Gloria's eyes.

“Don't, Gloria, don't!” she said pleadingly. “It is pitiful enough. Don't—” she stopped.

“And may not one even utter a protest against the existence of such a thing?” said Gloria. “Well, I shall go to the hospital and see Sal. I can at least do that.”

“It can hardly do any good,” said the nurse in a discouraged tone. “But if you really wish to go, Gloria, I will go with you.”

“Very well,” said Gloria, “we will go just as soon as we get rested after luncheon.”

At the corner near Gloria's home, the District Nurse bade Gloria good-by, as she had an errand to do on her way home. Gloria watched her to a car. Then she turned and made her own way back to Treeless Street. It was on the corner near No. 80 that she came upon the very one she was wishing for.

“Oh, Dinney, I am so glad to find you! I want your help. You are a good business man, and I want you to do something for me.”

“I a good business man?” said Dinney, grinning from ear to ear. “I should say! What's your business, Miss?” And having said this, he doubled up with droll laughter.

“Don't!” said Gloria, laying her hand beseechingly upon him. “I am really in earnest.”

Dinney straightened, and then in as decorous a manner as he could command, said:

“I'm your man for business.”

“Very well. Now, Dinney, you're listening. I want you—to—find—out,” said Gloria, impressively speaking each word distinctly, “who it is that owns No. 80. I want you to find it out, and I want you to tell me and no one else. If you will find out and promise not to tell anyone else, and will come to me with the name, then I will give you a five-dollar gold piece.”

Dinney's breath was fairly taken away. He stood there on the sidewalk stock still, looking into the face of the girl before him. At last he said in an awed voice:

“Honest?”

“Honest,” answered Gloria.

The boy drew a long breath. Five dollars! Instantly there came before him some little red shoes for Hunkie, and some stockings, and maybe a little red cap. But there was not time to go further into the matter as to what five dollars might stand for. Gloria's hand was grasping his shoulders with a firm grip.

“Will you find it out, Dinney? Will you? Will you come to me straight with the name and to nobody else?”

What she saw of honesty and truth in Dinney's face so satisfied the girl that her hands fell from the thin shoulders, and she in turn drew a long breath as though she had found at last something she had long been seeking. Then she looked down at Dinney. “I am going to tell you, Dinney, just why I am wanting to find out. You would like to know a nice secret; something we can keep to ourselves—a wonderful secret!” Dinney was all expectation. At last he said, “Ma used to tell me things. She told me lots the rest of the folks didn't know. All about pa and how it was when they first married and lots more. I never told anyone else around, as she said not to.”

“And you won't tell this? We will have it all to ourselves, and it will make you want to help me. Sometimes boys can find out things big folks can't. It came to me when I was walking along with the District Nurse that you were just the one to help me. You're so—well, so sharp yet safe. If they suspected, they would not let us know, maybe.”

The two were now walking along in a companionable way back in the direction Gloria had come.

“Dinney, if you find out who owns that house I will buy it. I've got money; Uncle Em says I have. I will buy it and we'll fix it up good.” Dinney's face was aglow, his eyes shone, his breath was drawn sharp and quick.

“Would you put in new stairs and new ceilings and new window panes if you bought that house?”

“Yes, I would,” said Gloria. “At first I thought I'd tear it down. But I don't believe now I would, it's been home for so many. I'd just like to see it fixed up the way it should have been years and years and years ago.”

“And you'd fix the hole in the ceiling?” asked the boy. Evidently that break in the ceiling over the bed that had been his mother's had left a deep impression on him.

“Wouldn't I, Dinney!” And now the girl's eyes shone. “It is a secret worth keeping,” she said.

“I should say!” answered Dinney. “And I'll find out if—if—it takes my life, I will.”

Dinney was young in years, but old in experience. His small figure now straightened with determination, and over his face swept a look of honest manliness far beyond his years. Gloria, looking down upon him, felt glad she had taken him for a helper. “I wish mother had waited,” Dinney said quietly, and then the two parted.

After her late luncheon, eaten alone, her uncle having returned to the office, Gloria was ready for the District Nurse, who had promised to go with her to the hospital. Aunt Em was taking a nap, so Gloria did not disturb her. As the two walked along, Gloria's impatience broke forth afresh.

“A coat of tar and feathers would serve the one right that allows such things to exist!” she said.

“Don't, Gloria!” cried the nurse, in the same tone of terror she had used in the hallway when trying to quiet Sal's mother.

“But I mean it!” said Gloria. “I don't see how the owner of that building with all those trippy places can sleep nights. Think of anyone taking rent for a house like that! I never knew such places were allowed in the market.”

“I don't believe I would be so hard, Gloria, if I were you. Let it rest.” There was a strange note of wistful pleading in the nurse's voice. But Gloria did not heed it.

“Let it rest? Never!” she answered.

The hospital reached, the neatly-uniformed interne who came down to answer the District Nurse's inquiry, assured them that their patient was resting quietly. He even went so far as to say that possibly the fall might work good in the end.

“I only say might in a general way. If the poor creature's mental apathy has been due to an injury of the head, it may possibly be. Do you know the cause of her mental condition?” he inquired of the nurse.

The nurse gave the information desired.

“If that is so, then the second blow may neutralize the first. It is certainly an interesting case.” But at the end he assured his visitors that time only could prove what the outcome might be. “Poor Sal!” said the nurse, as they left the large building, and went quietly down the stone steps. “I wonder if it would be comforting to her to know she is an 'interesting case.' Sal was never interesting before.”

“But just think if he should be right!” said Gloria, quivering with excitement. “Wouldn't it be beautiful, just beautiful, if it should come true! It would almost make me forgive that awful man who did not mend the railing.”

“But then,” said the nurse, “unless life changes all through for Sal, it might be worse to be beaten and starved and feel conscious of it, than to be beaten and starved in a half-demented condition.”

“Oh, don't put it that way!” said Gloria.

“I could not help thinking how little you can see of what her life all these years has been—you with your young sheltered life.”

Gloria's face softened. “No; one cannot discern—that is, I mean I could not before to-day. But anything seems possible after all that has happened to-day.”

It was while Gloria was standing on her own steps, having watched the District Nurse close her door, that she caught sight of a little figure flying up the street. It was Dinney. She waited impatiently for his approach.

“I've got it, Miss Gloria!” he said, coming panting up the steps. “I've got it! I struck the very man and he told me. He wrote it down for me. It belongs to an estate. Here it is.”

Gloria looked down at the card that bore a few lines indifferently traced. But what her eyes met caused the color to drift from her face.

“Are you sure, Dinney?” she said sharply to the boy. “Are you sure? Quick!” A faintness was seizing her.

“Sure,” answered the boy.

The girl laid a trembling hand upon the door. “I will get the money for you, Dinney, when I know you are dead right.”

The voice was not the voice Dinney knew. Looking at the girl, he saw that tears had sprung to her eyes. She was fumbling blindly with the latch-key.

“Miss Gloria,” he said, in an awed voice, as he took the key and fitted it for her, “don't you go to feeling like that.” Suddenly he was a man in his protective earnestness. “It ain't nothin' to you.”

But Gloria had passed him and was already ascending the broad flight of stairs leading from the reception hall. She had forgotten her key, she had forgotten to close the door. Dinney thoughtfully took the key out and placed it on a stand near. Then closing the door after him, he went slowly down the steps.

Somehow the brightness had gone from the day—he knew not why. But it was gone. He turned toward Pleasant Street—Gloria's “Treeless Street”—but there was no whistle now upon his lips.

## CHAPTER VII.

It was a white-faced girl that appeared before Walter McAndrew and his wife as they were seated at the dining-room table. Gloria had stood what seemed to her an age by the window in her room, looking down upon the card Dinney had left with her. At last she threw off her hat and jacket, and, turning, went below.

As Mr. McAndrew caught sight of the white, strained face of the girl he pushed back his chair and sprang to his feet.

“What is it?” he exclaimed.

But his wife gave one startled look and then bowed her head as though waiting for a storm to pass.

“I've found it out, Uncle Em!” said Gloria, in a voice that was not Gloria's. “Found out about Pleasant Street and No. 80.” Not a jot did her voice falter. She was looking straight into her guardian's eyes. “I don't suppose you could have helped it. It was my property and you kept it in trust. But—” There was a little wail, and the girl buried her face in her hands and burst into sobs.

“Gloria, don't!” begged Mr. McAndrew, while his wife let the tears of sympathy drip slowly from her face. “I could have helped it—I could have helped it! It is a miserably mean thing.” Mr. McAndrew was drawing his breath sharply. “As you say, the property was left in my trust for you by your father, but I had no need to turn it over to Richards. It should have been fixed up. It serves me right that this has come upon me.” It was the lawyer's voice that broke now.

Gloria raised her head and wiped her drenched face. To hear the words her uncle spoke was a relief to her. Still the fact remained. All she had thought to do toward righting a wrong of somebody's must be done to right a wrong that lay at her own door.

She tried to stand up bravely under it, this girl who had been sheltered and petted and cared for, but it was a hard task. And then there was the shock to all the dreams she had had of playing Lady Bountiful to another. For a few days she struggled and kept up, but a cold she had taken on the last day of her travel, aggravated by excitement, settled into a downright ailment. Very tenderly they coaxed her to stay within the blankets and among the soft pillows for the first few days, and then she stayed without coaxing. The District Nurse was at her side, and another was placed as substitute on her district.

The weeks went by, and gradually the white face took on a tinge of color. Still more weeks went by and the pillows were forsaken for the chair, and gradually Gloria crept back to the life waiting for her. Uncle Em and she had had little snatches of talks.

“It shall be straightened; it shall be made beautiful, this crooked way of ours!” her guardian assured her.

And Gloria had answered with a smile. In the olden days it would have been a laugh, but Gloria must wait for strength to laugh.

It was on a clear early September morning that Uncle Em and Aunt Em took Gloria on her first drive. The small figure of the District Nurse sat beside Aunt Em on the back seat. Gloria sat with Uncle Em.

“Which way?” Uncle Em awaited orders. He did not look at Gloria, but Gloria looked at him. Her eyes were shining.

“As if you didn't know!” she cried. “As if I hadn't been holding my breath to go to the New Street!” But at the corner, as they were about to turn, she caught at the reins. “No, let's leave that for the dessert, the New Street. I'd rather, after all. We'll go to Dinney's House first, Uncle Em.”

Uncle Em nodded gravely. “So much the better,” he said. “Gives 'em time to lay a few more bricks on New Street.”

The radiance of the day seemed to have entered into Gloria. Her laugh ran on in a little silver stream, and people plodding up and down the sidewalks turned and laughed in sheer sympathy.

“It feels so good to get back!” Gloria cried. “As if I had been a long way off. Why doesn't somebody point out the 'sights'? That big stone building, now—”

“The library,” said Uncle Em, and again Gloria's sweet-toned laugh rippled out.

“I don't care, it looks different! I believe it's grown. And that block of brick houses—did I ever see that before?”

“You took music lessons in it every week for two years, my dear,” remarked Aunt Em, gently prosaic.

“Oh, I suppose so, in another age! I've never seen it in this one. This is the Golden Age!”

Passing the hospital they saw Sal. She was sunning herself with other convalescents before the door. Her childlike face expressed only calm. She gazed at them, unsmiling.

“Oh, yes, she is about well,” an attendant volunteered, “but we can't bear to send her home. She's having such a good time in her way. No, she will never be any different. It was hoped she might be.”

“Sal!” Gloria called gently, “I'm going to No. 80 Pleasant Street. Do you want to send a message?”

“Number Eighty?” Sal repeated slowly.

“Yes, where mother is, Sal. Shall I take a message to your mother for you?”

“Tell her I ain't been beat once—not nary.”

Pleasant Street was still “Treeless Street,” to Gloria's regret. And they passed the same dreary succession of tenements. The same old little children played in the street. But at Dinney's House Gloria's eyes shone.

“Oh, Uncle Em! New windows, new steps, new everything!” She was helped gently down, and Rose was there to greet her. How happy Rose looked! And there was Sal's mother in the background, and then came Dinney and Hunkie.

“Ain't it fine!” cried Dinney. Gloria looked at the boy and laughed. “Look at the new stairs!”

They took her here and there, then made her rest a moment in Rose's room.

But it was not for long that Gloria was allowed to linger even in her own house. Her eyes were growing tired, and Aunt Em pressed forward solicitously.

“Yes, yes, now for the dessert, Uncle Em!” said Gloria. She was helped back to the carriage, and then they drove through streets with trees bright in their September dress. At last Gloria bowed her head and pressed her fingers over her eyes.

“You say, Uncle Em, there is green grass at the new house, and trees?”

“Trees,” answered Uncle Em.

The girl still had her head bowed and her fingers pressed upon her eyes.

“I used to shut my eyes as I am shutting them now, Uncle Em, when I wanted to open them just at a right place. You count three when you are ready for me to open my eyes.”

The carriage bowled along over new and smoother roads. Gloria was conscious that it was making several turns.

“One!” Uncle Em said, and Gloria drew in whiffs of warm September air.

“Two!”

Gloria was sure she heard a bird singing—of course, in a tree. “Hurry, hurry!” she said. “Say 'Three,' Uncle Em!”

“Th-ree!”

It was, after all, not much more than a hole in a wide stretch of green grass, with an uneven wall of bricks defining the excavation. But it was the beginning! The beginning!

And trees were dropping gold leaves down upon the men as they worked. The little singing bird was in one of the trees.

“Oh!” murmured Gloria, shutting her eyes again, “I can see better with my eyes shut! I can see a beautiful big house, Uncle Em—my house! It's straight and whole and—happy. I can see Rose and Hunkie at one of the windows and Sal coming down the stairs. 'Miss Districk,' you're there, too. And Dinney, don't you see, is playing on the grass!”

Mary Winship laughed a sweet, indulgent laugh.

“Yes, I see all of it, Gloria, just as you do.” She was gazing with the eyes of faith at the small beginning of Gloria's model tenement house. But gentle, prosaic Aunt Em saw only the hole in the ground and the untidy litter around it.

“I guess we've seen it all,” Aunt Em said. “I'm afraid Gloria will get too tired, Walter. Oughtn't we to go home now?”

“In a minute, dear Aunt Em. Just a little minute more!” pleaded Gloria. “I want to take another look—it's such a beautiful house!”

*** END OF THE PROJECT GUTENBERG EBOOK GLORIA AND TREELESS STREET ***
Updated editions will replace the previous one—the old editions will be renamed.
Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.
START: FULL LICENSE

## THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.
Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works
1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

> This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.
1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.
1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.
1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

- • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”
- • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.
- • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.
- • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project Gutenberg™
Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.
Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.
Section 3. Information about the Project Gutenberg Literary Archive Foundation
The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.
The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact
Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation
Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.
The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.
While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.
International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.
Section 5. General Information About Project Gutenberg™ electronic works
Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.
Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.
Most people start at our website which has the main PG search facility: www.gutenberg.org.
This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.