Title: Index of the Project Gutenberg Works of Nathaniel Hawthorne
Author: Nathaniel Hawthorne
Editor: David Widger
Release date: April 14, 2019 [eBook #59280]
Most recently updated: February 25, 2021
Language: English
Credits: Produced by David Widger

| CHAPTER | |
| INTRODUCTORY NOTE | |
| AUTHOR'S PREFACE | |
| I. | THE OLD PYNCHEON FAMILY |
| II. | THE LITTLE SHOP-WINDOW |
| III. | THE FIRST CUSTOMER |
| IV. | A DAY BEHIND THE COUNTER |
| V. | MAY AND NOVEMBER |
| VI. | MAULE'S WELL |
| VII. | THE GUEST |
| VIII. | THE PYNCHEON OF TO-DAY |
| IX. | CLIFFORD AND PHOEBE |
| X. | THE PYNCHEON GARDEN |
| XI. | THE ARCHED WINDOW |
| XII. | THE DAGUERREOTYPIST |
| XIII. | ALICE PYNCHEON |
| XIV. | PHOEBE'S GOOD-BYE |
| XV. | THE SCOWL AND SMILE |
| XVI. | CLIFFORD'S CHAMBER |
| XVII. | THE FLIGHT OF TWO OWLS |
| XVIII. | GOVERNOR PYNCHEON |
| XIX. | ALICE'S POSIES |
| XX. | THE FLOWER OF EDEN |
| XXI. | THE DEPARTURE |
| The Snow Image: A Childish Miracle |
| The Great Stone Face |
| Ethan Brand |
| The Canterbury Pilgrims |
| The Devil in Manuscript |
| My Kinsman, Major Molineux |
| INTRODUCTION |
| THE GREAT STONE FACE |
| THE AMBITIOUS GUEST |
| THE GREAT CARBUNCLE |
| SKETCHES FROM MEMORY |
| I. | OLD MOODIE |
| II. | BLITHEDALE |
| III. | A KNOT OF DREAMERS |
| IV. | THE SUPPER-TABLE |
| V. | UNTIL BEDTIME |
| VI. | COVERDALE'S SICK CHAMBER |
| VII. | THE CONVALESCENT |
| VIII. | A MODERN ARCADIA |
| IX. | HOLLINGSWORTH, ZENOBIA, PRISCILLA |
| X. | A VISITOR FROM TOWN |
| XI. | THE WOOD-PATH |
| XII. | COVERDALE'S HERMITAGE |
| XIII. | ZENOBIA'S LEGEND |
| XIV. | ELIOT'S PULPIT |
| XV. | A CRISIS |
| XVI. | LEAVE-TAKINGS |
| XVII. | THE HOTEL |
| XVIII. | THE BOARDING-HOUSE |
| XIX. | ZENOBIA'S DRAWING-ROOM |
| XX. | THEY VANISH |
| XXI. | AN OLD ACQUAINTANCE |
| XXII. | FAUNTLEROY |
| XXIII. | A VILLAGE HALL |
| XXIV. | THE MASQUERADERS |
| XXV. | THE THREE TOGETHER |
| XXVI. | ZENOBIA AND COVERDALE |
| XXVII. | MIDNIGHT |
| XXVIII. | BLITHEDALE PASTURE |
| XXIX. | MILES COVERDALE'S CONFESSION |
| CHAPTER I | MIRIAM, HILDA, KENYON, DONATELLO |
| CHAPTER II | THE FAUN |
| CHAPTER III | SUBTERRANEAN REMINISCENCES |
| CHAPTER IV | THE SPECTRE OF THE CATACOMB |
| CHAPTER V | MIRIAM'S STUDIO |
| CHAPTER VI | THE VIRGIN'S SHRINE |
| CHAPTER VII | BEATRICE |
| CHAPTER VIII | THE SUBURBAN VILLA |
| CHAPTER IX | THE FAUN AND NYMPH |
| CHAPTER X | THE SYLVAN DANCE |
| CHAPTER XI | FRAGMENTARY SENTENCES |
| CHAPTER XII | A STROLL ON THE PINCIAN |
| CHAPTER XIII | A SCULPTOR'S STUDIO |
| CHAPTER XIV | CLEOPATRA |
| CHAPTER XV | AN AESTHETIC COMPANY |
| CHAPTER XVI | A MOONLIGHT RAMBLE |
| CHAPTER XVII | MIRIAM'S TROUBLE |
| CHAPTER XVIII | ON THE EDGE OF A PRECIPICE |
| CHAPTER XIX | THE FAUN'S TRANSFORMATION |
| CHAPTER XX | THE BURIAL CHANT |
| CHAPTER XXI | THE DEAD CAPUCHIN |
| CHAPTER XXII | THE MEDICI GARDENS |
| CHAPTER XXIII | MIRIAM AND HILDA |
| CHAPTER XXIV | THE TOWER AMONG THE APENNINES |
| CHAPTER XXV | SUNSHINE |
| CHAPTER XXVI | THE PEDIGREE OF MONTE BENI |
| CHAPTER XXVII | MYTHS |
| CHAPTER XXVIII | THE OWL TOWER |
| CHAPTER XXIX | ON THE BATTLEMENTS |
| CHAPTER XXX | DONATELLO'S BUST |
| CHAPTER XXXI | THE MARBLE SALOON |
| CHAPTER XXXII | SCENES BY THE WAY |
| CHAPTER XXXIII | PICTURED WINDOWS |
| CHAPTER XXXIV | MARKET-DAY IN PERUGIA |
| CHAPTER XXXV | THE BRONZE PONTIFF'S BENEDICTION |
| CHAPTER XXXVI | HILDA'S TOWER |
| CHAPTER XXXVII | THE EMPTINESS OF PICTURE GALLERIES |
| CHAPTER XXXVIII | ALTARS AND INCENSE |
| CHAPTER XXXIX | THE WORLD'S CATHEDRAL |
| CHAPTER XL | HILDA AND A FRIEND |
| CHAPTER XLI | SNOWDROPS AND MAIDENLY DELIGHTS |
| CHAPTER XLII | REMINISCENCES OF MIRIAM |
| CHAPTER XLIII | THE EXTINCTION OF A LAMP |
| CHAPTER XLIV | THE DESERTED SHRINE |
| CHAPTER XLV | THE FLIGHT OF HILDA'S DOVES |
| CHAPTER XLVI | A WALK ON THE CAMPAGNA |
| CHAPTER XLVII | THE PEASANT AND CONTADINA |
| CHAPTER XLVIII | A SCENE IN THE CORSO |
| CHAPTER XLIX | A FROLIC OF THE CARNIVAL |
| CHAPTER L | MIRIAM, HILDA, KENYON, DONATELLO |
| PREFACE | |
| THE LIFE AND GENIUS OF NATHANIEL HAWTHORNE | |
| CHAPTER I. | SALEM AND THE HATHORNES: 1630-1800 |
| CHAPTER II. | BOYHOOD OF HAWTHORNE: 1804-1821 |
| CHAPTER III. | BOWDOIN COLLEGE: 1821-1825. |
| CHAPTER IV. | LITTLE MISERY: 1825-1835 |
| CHAPTER V. | EOS AND EROS: 1835-1839 |
| CHAPTER VI. | PEGASUS AT THE CART: 1839-1841 |
| CHAPTER VII. | HAWTHORNE AS A SOCIALIST: 1841-1842 |
| CHAPTER VIII. | CONCORD AND THE OLD MANSE: 1842-1845 |
| CHAPTER IX. | “MOSSES PROM AN OLD MANSE”: 1845 |
| CHAPTER X. | FROM CONCORD TO LENOX: 1845-1849 |
| CHAPTER XI. | PEGASUS IS FREE: 1850-1852 |
| CHAPTER XII. | THE LIVERPOOL CONSULATE: 1852-1854 |
| CHAPTER XIII. | HAWTHORNE IN ENGLAND: 1854-1858 |
| CHAPTER XIV. | ITALY |
| CHAPTER XV. | HAWTHORNE AS ART CRITIC: 1858 |
| CHAPTER XVI. | “THE MARBLE FAUN”: 1859-1860 |
| CHAPTER XVII. | HOMEWARD BOUND: 1860-1862 |
| CHAPTER XVIII. | IMMORTALITY |
| APPENDICES | |
| APPENDIX A | |
| APPENDIX B | |
| APPENDIX C | |
| INDEX |
| OUR OLD HOME. |
| CONSULAR EXPERIENCES. |
| LEAMINGTON SPA. |
| ABOUT WARWICK. |
| RECOLLECTIONS OF A GIFTED WOMAN. |
| LICHFIELD AND UTTOXETER. |
| PILGRIMAGE TO OLD BOSTON. |
| NEAR OXFORD. |
| SOME OF THE HAUNTS OF BURNS. |
| A LONDON SUBURB. |
| UP THE THAMES. |
| OUTSIDE GLIMPSES OF ENGLISH POVERTY. |
| CIVIC BANQUETS. |
| PAGE | |
| Lord Nelson | Frontispiece. |
| NEAR OXFORD | 281 |
| Blenheim | 292 |
| The Thames at Oxford from Folly Bridge | 318 |
| Magdalen College, Oxford, from the Cherwell | 322 |
| SOME OF THE HAUNTS OF BURNS | 325 |
| Robert Burns | 334 |
| Burns's Birthplace, Alloway Parish, near Ayr | 350 |
| The Auld Brig o' Doon, Ayr | 354 |
| Alloway Kirk | 356 |
| A LONDON SUBURB | 359 |
| A Country House | 364 |
| The Houses of Parliament | 374 |
| UP THE THAMES | 411 |
| London Bridge | 412 |
| Tower of London, showing Traitors' Gate | 428 |
| St. Paul's Cathedral | 430 |
| Poets' Corner, Westminster Abbey | 452 |
| OUTSIDE GLIMPSES OF ENGLISH POVERTY | 470 |
| An English Almshouse | 500 |
| CIVIC BANQUETS | 527 |
|
|
|
|
| CHIEFLY ABOUT WAR MATTERS. |
| ALICE DOANE’S APPEAL. |
| THE ANCESTRAL FOOTSTEP |
| THE ANCESTRAL FOOTSTEP. |
| I. The Inland Port. |
| II. Rochester. |
| III. A Night Scene. |
| My Visit To Niagara |
| The Antique Ring |
| Graves And Goblins |
| Mrs. Hutchinson |
| Sir William Phips |
| Sir William Pepperell |
| Thomas Green Fessenden |
| Jonathan Cilley |
| BENJAMIN WEST. |
| SIR ISAAC NEWTON. |
| SAMUEL JOHNSON. |
| OLIVER CROMWELL. |
| BENJAMIN FRANKLIN. |
| QUEEN CHRISTINA. |
| Preface |
| THE WHOLE HISTORY OF GRANDFATHER'S CHAIR |
| Part I |
| Chapter I |
| Chapter II |
| THE LADY ARBELLA |
| Chapter III |
| Chapter IV |
| Chapter V |
| Chapter VI |
| THE PINE-TREE SHILLINGS |
| Chapter VII |
| Chapter VIII |
| THE INDIAN BIBLE |
| Chapter IX |
| Chapter X |
| THE SUNKEN TREASURE |
| Chapter XI |
| Part II |
| Chapter I |
| Chapter II |
| Chapter III |
| THE OLD-FASHIONED SCHOOL |
| Chapter IV |
| Chapter VI |
| THE REJECTED BLESSING |
| Chapter VII |
| Chapter VIII |
| THE PROVINCIAL MUSTER |
| Chapter IX |
| THE ACADIAN EXILES |
| Chapter X |
| Chapter XI |
| Part III |
| Chapter I |
| Chapter II |
| Chapter III |
| THE HUTCHINSON MOB |
| Chapter IV |
| Chapter V |
| THE BOSTON MASSACRE |
| Chapter VI |
| Chapter VII |
| Chapter VIII |
| Chapter IX |
| THE TORY'S FAREWELL |
| Chapter X |
| Chapter XI |
| GRANDFATHER'S DREAM |
| Biographical Stories |
| Chapter I |
| Chapter II |
| BENJAMIN WEST |
| Chapter III |
| SIR ISAAC NEWTON |
| Chapter IV |
| SAMUEL JOHNSON |
| Chapter V |
| SAMUEL JOHNSONâ?"continued. |
| Chapter VI |
| OLIVER CROMWELL |
| Chapter VII |
| BENJAMIN FRANKLIN |
| Chapter VIII |
| BENJAMIN FRANKLINâ?"continued |
| Chapter IX |
| QUEEN CHRISTINA |
| PAGE | |
| THE GORGON'S HEAD. | |
| Tanglewood Porch.—Introductory to The Gorgon's Head | 1 |
| The Gorgon's Head | 7 |
| Tanglewood Porch.—After the Story | 39 |
| THE GOLDEN TOUCH. | |
| Shadow Brook.—Introductory to The Golden Touch | 42 |
| The Golden Touch | 46 |
| Shadow Brook.—After the Story | 69 |
| THE PARADISE OF CHILDREN. | |
| Tanglewood Play-Room.—Introductory to The Paradise of Children | 73 |
| The Paradise of Children | 78 |
| Tanglewood Play-Room.—After the Story | 100 |
| THE THREE GOLDEN APPLES. | |
| Tanglewood Fireside.—Introductory to The Three Golden Apples | 102 |
| The Three Golden Apples | 109 |
| Tanglewood Fireside.—After the Story | 136 |
| THE MIRACULOUS PITCHER. | |
| The Hill-Side.—Introductory to The Miraculous Pitcher | 140 |
| The Miraculous Pitcher | 144 |
| The Hill-Side.—After the Story | 170 |
| THE CHIMÆRA. | |
| Bald-Summit.—Introductory to The Chimæra | 172 |
| The Chimæra | 176 |
| Bald-Summit.—After the Story | 206 |
| Half-Title | i |
| Frontispiece—Bellerophon on Pegasus. | |
| Title | iii |
| Preface | v |
| Tailpiece | vi |
| Contents | vii |
| List of Designs | ix |
| Tailpiece | x |
| Headpiece—Tanglewood Porch | 1 |
| THE GORGON'S HEAD—Headpiece | 7 |
| Perseus and the Graiæ | 22 |
| Perseus armed by the Nymphs | 26 |
| Perseus and the Gorgons | 32 |
| Perseus showing the Gorgon's Head | 36 |
| Tailpiece | 38 |
| Headpiece—Tanglewood Porch, After the Story | 39 |
| Tailpiece | 41 |
| Headpiece—Shadow Brook | 42 |
| THE GOLDEN TOUCH—Headpiece | 46 |
| The Stranger appearing to Midas | 50 |
| Midas' Daughter turned to Gold | 62 |
| Midas with the Pitcher | 66 |
| Tailpiece | 68 |
| Headpiece—Shadow Brook, After the Story | 69 |
| Tailpiece | 72 |
| Headpiece—Tanglewood Play-Room | 73 |
| Tailpiece | 77 |
| THE PARADISE OF CHILDREN—Headpiece | 78 |
| Pandora wonders at the Box | 80 |
| Pandora desires to open the Box | 86 |
| Pandora opens the Box | 92 |
| Tailpiece | 96-x- |
| Headpiece—Tanglewood Play-Room, After the Story | 100 |
| Headpiece—Tanglewood Fireside | 102 |
| Tailpiece | 108 |
| THE THREE GOLDEN APPLES—Headpiece | 109 |
| Hercules and the Nymphs | 112 |
| Hercules and the Old Man of the Sea | 120 |
| Hercules and Atlas | 126 |
| Tailpiece | 135 |
| Headpiece—Tanglewood Fireside, After the Story | 136 |
| Tailpiece | 139 |
| Headpiece—The Hill-Side | 140 |
| Tailpiece | 143 |
| THE MIRACULOUS PITCHER—Headpiece | 144 |
| Philemon and Baucis | 144 |
| The Strangers in the Village | 148 |
| The Strangers entertained | 158 |
| Tailpiece | 169 |
| Headpiece—The Hill-Side, After the Story | 170 |
| Tailpiece | 171 |
| Headpiece—Bald Summit | 172 |
| Tailpiece | 175 |
| THE CHIMÆRA—Headpiece | 176 |
| Bellerophon at the Fountain | 180 |
| Bellerophon slays the Chimæra | 200 |
| Tailpiece | 205 |
| Headpiece—Bald Summit, After the Story | 206 |
| Tailpiece | 210 |
| Preface |
| A WONDER BOOK |
| THE GORGON'S HEAD |
| THE GOLDEN TOUCH |
| THE PARADISE OF CHILDREN |
| THE THREE GOLDEN APPLES |
| THE MIRACULOUS PITCHER |
| THE CHIMÆRA |
| TANGLEWOOD TALES |
| THE WAYSIDE |
| THE MINOTAUR |
| THE PYGMIES |
| THE DRAGON'S TEETH |
| CIRCE'S PALACE |
| THE POMEGRANATE SEEDS |
| THE GOLDEN FLEECE |
| Jason and the Talking Oak |
| Pandora |
| Atlas |
| Bellerophon by the Fountain of Pirene |
| The Fountain of Pirene |
| Cadmus Sowing the Dragon's Teeth |
| Circe's Palace |
| Proserpina |
| Jason and his Teacher |
| The Argonauts in Quest of the Golden Fleece |
| The Minotaur |
| The Pygmies |
| The Dragon's Teeth |
| Circe's Palace |
| The Pomegranate Seeds |
| The Golden Fleece |
| Cadmus beheld a female figure, wonderfully beautiful |
| He tugged and toiled amain |
| She whipped up the snakes and ascended high over the city |
| "Thou hast slain the monster", cried Ariadne, clasping her hands |
| He concluded that his dear son had been eaten by the Minotaur |
| This giant and these pygmies were all brethren |
| The giant gave them his brotherly kindness |
| They were constantly at war with the cranes |
| "Alas! my dear children", answered poor Queen Telephassa |
| "Sacred Oracle of Delphi, wither shall I go"? |
| This pitiless reptile had killed his poor companions |
| At a distance he beheld stately towers |
| The voyagers examined the web of cloth |
| "Wretch"! cried Circe |
| They brought along with them a great many beautiful shells |
| So she peeped into the entrance of the cave |
| They arrived at the sunniest spot in the world |
| "I shall not touch it I assure you", said she |
| "What shall I do"? said he |
| "I am the king's daughter" |
| At the appointed hour he met the beautiful Medea |
| "What is it"? asked Jason |
| Page | ||
| The Custom House.—Introductory | 1 | |
| THE SCARLET LETTER. | ||
| I. | The Prison-Door | 51 |
| II. | The Market-Place | 54 |
| III. | The Recognition | 68 |
| IV. | The Interview | 80 |
| V. | Hester at her Needle | 90 |
| VI. | Pearl | 104 |
| VII. | The Governor's Hall | 118 |
| VIII. | The Elf-Child and the Minister | 129 |
| IX. | The Leech | 142 |
| X. | The Leech and his Patient | 155 |
| XI. | The Interior of a Heart | 168 |
| XII. | The Minister's Vigil | 177 |
| XIII. | Another View of Hester | 193 |
| [vi]XIV. | Hester and the Physician | 204 |
| XV. | Hester and Pearl | 212 |
| XVI. | A Forest Walk | 223 |
| XVII. | The Pastor and his Parishioner | 231 |
| XVIII. | A Flood of Sunshine | 245 |
| XIX. | The Child at the Brook-side | 253 |
| XX. | The Minister in a Maze | 264 |
| XXI. | The New England Holiday | 277 |
| XXII. | The Procession | 288 |
| XXIII. | The Revelation of the Scarlet Letter | 302 |
| XXIV. | Conclusion | 315 |
| Page | |
| The Custom-House | 1 |
| The Prison Door | 49 |
| Vignette,—Wild Rose | 51 |
| The Gossips | 57 |
| “Standing on the Miserable Eminence” | 65 |
| “She was led back to Prison” | 78 |
| “The Eyes of the wrinkled Scholar glowed” | 87 |
| The Lonesome Dwelling | 93 |
| Lonely Footsteps | 99 |
| Vignette | 104 |
| A touch of Pearl's baby-hand | 113 |
| Vignette | 118 |
| The Governor's Breastplate | 125 |
| “Look thou to it! I will not lose the child!” | 135 |
| The Minister and Leech | 148 |
| [viii]The Leech and his Patient | 165 |
| The Virgins of the Church | 172 |
| “They stood in the noon of that strange splendor” | 185 |
| Hester in the House of Mourning | 195 |
| Mandrake | 211 |
| “He gathered herbs here and there” | 213 |
| Pearl on the Sea-Shore | 217 |
| “Wilt thou yet forgive me?” | 237 |
| A Gleam of Sunshine | 249 |
| The Child at the Brook-Side | 257 |
| Chillingworth,—“Smile with a sinister meaning” | 287 |
| New England Worthies | 289 |
| “Shall we not meet again?” | 311 |
| Hester's Return | 320 |
| Act I |
Scene
I Scene II Scene III |
| Act II |
Scene
I Scene II Scene III |
| Act III |
Scene
I Scene II Scene III |
| Act IV |
Scene
I Scene II |
| PAGE | |
| Editor's Introduction | V |
| Dr. Heidegger's Experiment | 1 |
| The Birthmark | 21 |
| Ethan Brand | 53 |
| Wakefield | 83 |
| Drowne's Wooden Image | 101 |
| The Ambitious Guest | 125 |
| The Great Stone Face | 141 |
| The Gray Champion | 177 |